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And lastly, it is elemental in the final destruction of both tragic heroines. Flaubert and Tolstoy masterfully Madame bovary symbolism essay the element of religion, and subsequently its role in society by using several characters to embody particular societal religious viewpoints.
Homais and Father Bournisien. Homais considers himself the intellectual of Yonville, and with his irreligious views, he typifies the middle-class mentality of his time and its sciolistic attitudes: Flaubert 61 In this respect, Flaubert portrays him as a fool whose true faith lies only in materialistic pursuits which he integuments with the progressive-sounding jargon of scientific ideas, yet remains blind to the entire concept of religion and its values.
Father Bournisien, on the other hand, is an oblivious, one-dimensional representation of middle-class religion who fails to tend to the needs of his parishioners. Flaubert 90 Bournisien serves to represent the progressive atrophy of Christian values and ideals in a small bourgeoisie provincial setting.
Tolstoy cleverly uses the characters of Karenin and Countess Lydia to illustrate a similar idea.
Countess Lydia, an illustrative manifestation of decadent Russian aristocracy, has pretensions to be an intellectual; however, she is shallow and strives only to be fashionable and popular. In this context, she closely resembles Homais. Karenin patently represents the banality and hollowness of high Russian aristocratic religious morals.
He strives to maintain his Christian rectitude, attempting to be forgiving to Anna, but utterly fails in doing so due of his pride and ambition.
Though he senses the hypocrisy of the ecstatic religious posture imparted to him by Countess Lydia, he assumes it nevertheless to save face and solace himself: Evidently, both writers underscore the corruption, opprobrium and debasement of religion in their societies through their meticulously crafted characters.
Upon analyzing the debacle of the two tragic heroines, Anna Karenina and Emma Bovary, it is impossible to dismiss the immense religious symbolism, allusion, and foreshadowing surrounding these culminating events. Both authors incorporate a period of religious fervour whereby the female protagonist succumbs to a grave illness and undergoes a near-death experience, after which her doom becomes inevitable.
When will it all be over? Apparently, Anna has not yet fully paid for her sins, and thus will be condemned to prolong her life in gloom until she is ready for death. In the case of Emma Bovary, Flaubert depicts his sickly protagonist in a state of great despair after Rodolphe abandons her who asks for Communion and subsequently undergoes a seemingly poignant, albeit brief, religious reawakening.
As her health improves, her religious values seem to decay accordingly, and it is obvious that her amoral attitude will remain adamant for as long as she lives; this is a powerful indication that Emma is fatally flawed, for in her next period of illness, there would be no recovery.
As Anna is struck by the train, her final words leave a lasting impression on the reader:The Adventures of Huckleberry Finn, by Mark Twain, is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras.
Here are some of the. In many varieties of literature, authors use icons as a representation of interpretive interpretation. In Gustave Flaubert's novel, Madame Bovary (), one of the major achievements is the excellent use of symbolism.
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Madame Bovary: Metaphor Analysis, Free Study Guides and book notes including comprehensive chapter analysis, complete summary analysis, author biography information, character profiles, theme analysis, metaphor analysis, and top ten quotes on classic literature.
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