I would Love you ten years before the flood, And you should, if you please, refuse Till the conversion of the Jews. My vegetable love would grow Vaster than empires, and more slow; An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, lady, you deserve this state, Nor would I love at lower rate.
Introduction How are poets like John Donne and Andrew Marvell able to write about an apparent theme that offers a completely different profound meaning if the reader scrutinizes the poem? What does the metaphysical author really intent to say with his poem?
In this term paper I try to answer these questions and a lot more. First I have to clarify what metaphysical poetry and conceits are. For that reason I want to give a short overview of the 17th century, the main issues of that time and who were leading poets.
Moreover, I will point out the characteristics of conceits, which are explained in more detail in the course of this paper, using the example of two poems.
This analysis will be extended to an in-depth analysis of the conceits type, style of writing, theme, etc. At last, I will summarise all my results in a conclusion.
For all my suppositions I will consult a lot of secondary literature to prove my ideas and results. Metaphysical Poetry and Conceits Metaphysical poetry denominates a literary movement in the 17th century and is part of the period of Baroque, represented by Donne, Marvell and other famous poets.
The book Englische Literaturgeschichte helps to define metaphysical poetry more precisely: A major topic is religion, even more frequently there is only love poetry, which is commonly very sensuous and drastic in marked contrast to metaphysics but yet is a central theme for the poets of that time.
The arguments in the poems are usually selected for a matter of changeover or cajolery procedure. Marvell and Donne compress erotic ideas in conceits, what means that elements of two widely separated fields of reality are trenchantly copped.
The conceits are often actually seeking for darkness and mystery. But even in the century of Donne and Marvell the pictorial language was treated depreciatory.
The poets seem affected and as if their uppermost aim is to impress the people by presenting their wit. Metaphysical poetry can be seen as a break with the conventionalised Elizabethan poetry.
The School of Donne, who was denominated the father of metaphysical poetry, is featured by an emphatic, impetuous way of speech, often colloquial and of an appellative nature.
It is essential for the poets to avoid a sophisticated choice of language as effectively as possible. The issues are provocative; most poems deal not with love as a feeling but with physical desires and the premarital act of love-making, some even canonise the sexual intercourse.
Love will be materialised, which is absolutely against all English traditions of that time Seeber The essence of metaphysical poetry is the intellectual delectation; the poets often merge secular ideas and colloquial language with witty subtleness.
A proper definition of conceits is provided by W.Marvell's 'To His Coy Mistress' details the efforts of a man towards insisting on his lover's affection.
Here is a complete analysis of the poem.
Colt, PRO, C24//26, and Kavanagh ) AM writes ‘To his Coy Mistress’ perhaps now: the poem is difﬁcult to date more speciﬁcally in this period (Smith 75) but here AM is at the height of his power and synthesizing freely; moreover, a date in the early s helps the wit of proposing to wait ‘Till the Conversion of the Jews’: if.
Nov 21, · Everyday use essay summary dissertation abstracts essayons catholicism and christianity an inspector calls essay planning oh it s a sunny day essay andrew marvell to his coy mistress essay turning points contrast words in essays rappler internship application essay silence dogood essays christopher marlowe poem.
Guide Books Andrew Marvell The Roman poet Horace, Andrew Marvell, and Marvin Gaye each contribute to this This study guide includes poetry by Marvell, John Donne, George Herbert. Andrew Marvell “His Coy Mistress “To His Coy Mistress” Andrew Marvell open as a carpe diem themed poem in the first line.
The speaker set the scene in the first stanza by explaining to his mistress “Had we but world enough, and time,” he would accept her shyness.
This is an allusion to Andrew Marvell's poem "To His Coy Mistress": "Had we but world enough and time, / This coyness, lady, were no crime" (l. ). In this poem, the speaker tries to convince the woman he desires to have a sexual encounter with him.